I ’m not entirely sure how I picture Netflix ’s merchant vessels centers , but it definitely was n’t like this : A Chicago Tribune reporterdescribes his visitto one , admit the “ few things about the edifice that indicate it was not a meth lab . ”
Its location is top secret and its building disguised ; its employees are mostly female , and unusually old ; its air is unsounded , and its decor depressing ( “ a precipitant mismatch of promotional poster taped to its walls like college dorm interior decoration — a bill poster for Atonement alongside a card for the direct - to - television Dr. Dolittle : Tail to the Chief . ” ) worker startle at 3 am , and do callisthenics throughout the day , presumptively to help circulation , and to disorder them from the fact that their client are harebrained . That ’s why the centre ’s address can not be divulged , ever — people would apparently endlessly importune on dropping their videodisk off there , like it ’s a Blockbuster — and why the workers ’ near - mechanized Job sound bearably interesting :
Customers stuff things into the envelope . Scribbled motion-picture show recapitulation , complaints , pictures of dogs and kid .

How charming ! Full account at [ The Chicago Tribune ]
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