How Comic-Con Attendance has Grown, and Other Geeky Infographics

In March 1970 , 145 people attended the Golden State Comic - Con , which would eventually raise into the phenomenon now known as San Diego Comic - Con . This is just one of the gorgeous comic ledger infographs from Tim Leong ’s new bookSuper Graphic .

Years ago , Leong ran the clip Comic Foundry , a culture cartridge clip traverse newspaper strips , superhero comics , indie books , and more . After the cartridge holder folded , Leong says , “ I had a pretty big hole in my life-time — a comics - sized hole in my living . I really escape being part of that community and having those comical script interactions . So I ’ve always wanted to do another comedian - relate labor . ” While working at Wired , Leong became more practiced at make eye - protrude infographics . finally , he decide to combine his love of comedian with his passion of data visualization , and Super Graphic : A Visual Guide to the Comic Book Universe was carry .

The book is packed with more than 100 pages of comedian - themed infographics , ranging from the alliterative names of Archie Comics characters and the Scrooge McDuck phratry Sir Herbert Beerbohm Tree to organic evolution of the Green Lantern swearing and a chart of oppression and rebellion in Persepolis . Some of the charts are enormously informatory ( such as the massive fold - out chart of mirthful book flick , comparing their box office net profit and Rotten Tomatoes scores ) , while others douse into the triviality of comic Bible account ( such as the Venn diagram of “ Stan Lee ’s Nicknames for the Marvel Bullpen , ” which includes the categories “ Alliterative , ” “ Vaguely Sexual ” and “ Words I Had to see Up ” ) . Still others are unabashedly cockamamie : the charts of “ What Makes Nick Fury So Intimidating , ” “ Reasons to care Cyclops , ” and why the other Ninja Turtles make merriment of Donatello are in the build of their various subjects ’ faces .

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Sometimes , the charts revealed something about the comics that surprise even Leong . “ One that I kind of realized , but was just staggering to see the existent datum of it was I did a kill rejoinder for The Walking Dead , for the first 100 upshot , ” Leong explains . “ I think when you cerebrate about The Walking Dead , you think , ‘ Oh , you ’ve got to watch out for these zombies . ’ But it ’s not the snake god ! It ’s not the zombie kill citizenry ; it ’s the the great unwashed because they ’re crazy . It think it ’s 79 or 80 percent of the deaths that are from humans . So I conceive people who have watch the show will have come to that decision themselves , but to see the actual numbers ? ”

Although Leong acknowledges that superhero comedian have a long story that make them particularly well suitable to data visual image , he aimed to let in a broad kitchen stove of comic in the book . After all , he read a wide kitchen range of comedian — he even has a chart cheekily label “ Full revealing ” that breaks down the publishers sitting on his bookshelf . While the book leans toward superhero infographics , Leong is desire to appeal to the ecumenical comic reader with charts about manga , underground comix , and a healthy VD of Tintin . “ No matter how long you ’ve been reading comedian , there are still lots of great comics that you have n’t show , ” Leong points out , “ which is passably awesome . ”

No matter the writing style , Leong feels that data visual image and cartoon strip are a natural fit . “ What ’s great about funnies , ” he say , “ besides the comics themselves , are the fans , the readers — because the reader are super meticulous and they obsess about the details . And that ’s kind of what the whole power point of the book of account was : that they embrace and take account that obsessivity . And I call up it ’s because of the readers , because they ’re such hardcore fans , they just love the textile so much ; I think it ’s tremendous . ”

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